Longdraw for beginners

I’ve just realised I’ve been neglecting my blog a little recently. I keep thinking of things to write about, then I write them on a forum on ravelry and don’t put them on here. I just spent half an hour typing up a post about longdraw, so I thought i would share it here.

Firstly, some of you may be asking what is longdraw? Well, it’s a drafting technique which, when used with rolags, allows you to produce a woollen yarn. Not ‘woollen’ as in ‘made from wool’, but woollen meaning a light and airy yarn which combines the long and short fibres from a fleece, wrapped round a core of air, making for a fluffy, bouncy, lofty yarn. This technique can be used for spinning other types of prep making a technically semi-woolen yarn, but with the same fluffy properties (though only spinning from rolags will give you the air core).

The technique relies on one of the properties of yarn (well, of any thread), that is, that twist will build up in thin areas, leaving the thicker areas untwisted. As you pull back, the twist holds together the thin areas, and thins out the thicker areas so you end up with an even single. This is why using a good prep is essential; if the fibres are long and running parallel to the yarn, some fibres from the thick areas will get trapped in the thinner areas and your lumps will be ‘locked’ in place. With a rolag, the fibres are running perpendicular to the length of the yarn, they will be pulled diagonally as you draft, so they overlap and the yarn doesn’t disintegrate, but the end result will be fibres that travel in a corkscrew path along the length of the yarn, rather than fibres all aligned straight and parallel twisted around each other. This method allows very short stapled fibres such as cashmere to be spun with ease, where a short forward draft would be difficult and time consuming.

These tips are aimed for people looking to try longdraw who have never done it before, they are just a few small things I found helpful when first starting. This isn’t a technique I’d recommend for beginning spinners, short forward draws are a lot easier to learn and do from commercially prepped tops/roving, which are easily available. Of course, in the past when using a great wheel, and in countries where cotton is the only available fibre for beginners, people did/do start off with a longdraw method (though maybe great wheel spinners started on spindles?), and they cope just fine, but given the tools and fibre preps available to us today, complete beginners will probably find themselves making yarn a lot more quickly and easily using another technique. This post is designed to help more experienced spinners who are comfortable with spinning and know their way around their wheel, but who want to add the longdraw technique to their spinning arsenal.

– First, pick your fibre. It’s possible to do longdraw from almost anything, but the easiest to start off with is well carded rolags of a medium fineness, medium staple (around 3 inches), nicely sproingy wool. I think my first longdraw was done using rolags from a jacob fleece, but i might have forgotten something else I used. Either way, airy preps like rolags or batts are a lot easier than roving.

– attach the fibre to your leader and spin the first foot or so using whatever drafting style you’re comfortable with. While it is possible to longdraw right from the start, when you’re first starting it’s harder to get this join right, and set the thickness of the yarn you want…starting from a patch of ready spun yarn is easier.

– You want your tension to be just high enough that it winds the yarn on quickly when you let it, but low enough that it doesn’t try and pull the yarn out of your hands. A higher ratio than you’d normally use for the particular thickness of yarn is desirable, but not essential, if your wheel only has one ratio, you can just treadle more before and after the draft to make up for it.

– start off holding your rolag with a few inches of ready spun yarn in front of the orifice, this will hold some twist and allow it to be redistributed throughout the part you draft.

– with your back hand (in my case, my left), pinch off a bit of your rolag. The exact amount will depend on the thickness of yarn you’re wanting to spin, but an inch or two is normally plenty…err on the side of too little at the start….too little and your drafting length will be shortened, too much and you’ll need a magic extendable arm to pull the fibres out long enough. Unless you have such a magic arm, the result will be that your yarn is very lumpy.

– Use the thumb and first finger of your front hand to hold the yarn just in front of the orifice. It’s this that you’ll be pulling back against. If you’ve built up enough twist in the few inches of already drafted yarn, this hand can stay in place until the end of the draft, but chances are you’ll have to open your fingers a couple of times during the draft to allow more twist in to hold the yarn together.

– pull back with your back hand, it’s a fast draft compared to short draw, but it isn’t THAT fast a movement, it should be fluid. Watch the yarn. You’ll see it break into big lumps held together by thinner areas. If you’ve got enough twist there, continuing to pull back will smooth out the lumps, leaving the thin areas as they are. If you see the yarn start to drift apart due to lack of twist, allow some more in with your front hand. Keep pulling back until there are no more thick spots (the yarn won’t be totally even, so don’t worry too much, most unevenness will come out in the plying).

– wait, and treadle. This is a long draft in a short period of time, you’ll need to treadle for a while to make up for it and get enough twist into the yarn before allowing it to wind on. Using a fibre of varigated colour makes this part easier as you can see the angle of twist so you won’t need to be stopping to check plybacks all the time. After a while you’ll get into a routine and know how many treadles you do while drafting, and how many to do afterwards.

– Pay attention to the feel of the yarn with your back hand. It’s reaaaaaally hard to explain, but once you’ve got it, you’ll be going by feel, it feels almost like you’re pulling on a piece of elastic. The feeling is probably the most important thing in terms of setting your drafting speed, and the hardest to explain.

That’s all i can think of at the moment…I hope it helps. If your computer is up to it, watch a few youtube videos to see different people’s styles…this vid is good cos you can see exactly what both her hands are doing: http://uk.youtube.com/watch?v=z92IpGYh8RE.

Be aware that the american and english longdraw are different…both are still longdraw, they both involve drafting way more than the staple length of fibre, but there are slight differences in what your hands do….which are explained in this post: http://spinningspiderjenny.blogspot.com/2006/11/drafting-…. What I’ve explained above is the english longdraw, personally I find the american unsupported longdraw the most fun cos i can do it one handed, but its a little fiddlier to do cos I find you need to mess with your tension a little more to get it right, and its harder to explain as a step by step process, as it relies on how the yarn feels even more so than the english version.

I hope this helps some of you on your path to longdraw fun, and if anyone reading this (does anyone actually read this??) has any questions, just ask in the comments and I’ll answer in a later post.

 

more batts and spinning

I missed spinning, so I put the wheel back together. It is almost how i want it to look…the wheel itself hasn’t been completely stripped of varnish, but all the rest has, and I’ve stained it, and it’s looking a lot better….just gotta get round to doing the wheel at some point, but until then at least i get to use it. I’ve been spinning a lovely batt in shades of red merino with added silk and sparkle, it’s sooo soft and yummy.

I’ve also added a few more batts to the shop, and I’m planning to add some pretty beaded orifice hooks as soon as I get a chance to photograph them.

As ever, click the pic for a closer look.
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Win fibre/yarn!…and support a good cause

A friend’s mother recently passed away from cancer, and her brave sister is doing a skydive to raise money for charity. If you are kind enough to donate £2, or whatever you can afford, to sponsor her and help her reach her target of £1000, you will be entered into a prize draw to win fluffy fibre and yarn. I have donated a custom carded batt in the winner’s choice of colours, or if the winner isn’t a spinner, I will dye them 100g of sock yarn, again in their choice of colours. Lots of other people have donated prizes too. To be in with a chance of winning, and to see details of the prizes on offer, see her blog post here, and donate as much as you can afford. Thank you!

quick update

typing is rather hard at the moment, as I have a karma kitten fast asleep on top of me. She has been very affectionate recently since getting locked in next door’s garage overnight one day last wee…I  thought it was a bit funny when she didnt come see me in bed all night, but then when she didnt come for food in the morning, i knew something was up, so i went outside and called her, and heard a pathetic howling coming from their garage. Luckily they leave it unlocked all the time so i could rescue her immediately and bring her indoors for lots of cuddles. She had very very dirty feet, they were so grey they almost matched the rest of her, and they’re still not back to normal even now, so I have no idea what she’d been doing in there…silly kitten!

I’ve carded up a few more batts today, I love having an etsy store as it gives me a chance to play so much more with my carder, which i wouldn’t be able to do if i had to spin all the batts myself. here’s tonight’s update:

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Another shop update

I’ve been a busy girl, knitting and spinning and felting…and I’ve added a few more bits to the shop as a result of all my hard work. Firstly the spinning fibres (click the pic to go to the shop)

newbatts.jpg

Then the other bits and bobs, there’s some handknitted hats and fingerless gloves…one pair in yummy Wollmeise yarn, and some felted soaps with added sparkle, which make awesome gifts as they look so pretty…and they’re also practical as they last longer than normal soap, make more foam, and are good for your skin as they are gently exfoliating.

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Dyeing fun

The tops I dyed yesterday are now dry, and up in the shop. Four of the five batts I listed yesterday have sold already, so it looks like I’ll be spending the afternoon carding.  I’m about half way through the horrible task of stripping the varnish off the wheel, so hopefully I’ll be spinning again within a week or so!

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Fibre Friday!

Had a very fibrey day today, I finished up a custom order for a raveler, then did some dyeing and carded up some squishy batts for my shop.

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For anyone in the UK, I’m now offering free shipping if you spend over $40.

Also, here’s a sneak peek at the dyeing I did earlier. The fibre is a South American lustre wool, it feels very soft, very similar to BFL, and i got it at a bargain price, so when the roving has dried, I’ll be listing it on etsy, also at a bargain price.

dyedtops

Spinning wheel renovation.

The other night, while reading my favourite forums on Ravelry, I saw a picture of a wheel in pieces. This reminded me ever since I got my new (secondhand) wheel, I’ve been meaning to give it a makeover. It’s an ashford traditional, and all the parts are different colours, the double treadle kit was bought separately, and is stained a different colour, and the lace flyer kit was untreated. The next day I saw some paint stripper in a supermarket (strange, cos the last time I was looking for it, I couldn’t find any, which is why the project was shelved).

I also bought this, mostly because I found the name amusing:
bagofrags
(yes, I’m easily amused)

Armed with my bag of rags, I laid out the stuff I needed…paint stripper, wood stain, white spirit, teak oil, sandpaper and other useful things like gloves, paintbrushes, screwdrivers and the like.

The first job was to stain the lace flyer, as it was already untreated, so I didn’t have to mess around with the paint stripper. I took the flyer/mother of all to pieces, and sanded it down. I then gave it a rub over with white spirit. Pre treatment, it looked like this:
laveflyeruntreated

Then came time for the wood stain, the colour I chose was called ‘indian rosewood’. I followed the instructions and applied it with a cloth (yay for the bag of rags!). Here’s the maidens, one stained, one unstained.
laceflyermaidens
and here’s the whole lot in it’s stained glory:
laceflyertreated

It’s looking much better already. While the stain was drying, I turned my attention to the wheel:
wheelstart

You can see in the pic that all the parts are differently coloured. I don’t mind that too much, as I believe they are made from different woods, so even with staining they won’t look identical. What you can’t see is that there’s paint spots all over it…so the job really needed doing. I considered just removing the wheel and leaving the rest intact and using paint stripper on it like that…I figured the parts you can’t see don’t matter. But I decided to stop being lazy, if I’m going to do this, i should do it properly. So I dismantled it completely.
wheelinbits

As you can see, the person who stained the DT kit was lazy, so there’s big areas of untreated wood where they didn’t bother taking it apart before finishing.

The next step was to try the paint stripper to remove the varnish. I did this on a couple of bits, but then realised it was late and time for bed, so left the rest for another day. I shall take more pics and explain what I did when I next work on it.